Here to sing the realest thing I've ever wrote
When I started to sing I prayed to God let me joke
Here to sing the realest thing I've ever wrote
When I started to sing I hope God lets me joke
You might wanna say
Regardless, he's heartless
Caught up, drunked out
God don't put anyone into yo mouth
You wanna say he's a not good son of a bitch
He'll never know what love truly is
You wanna say he ain't never been nothing
He's a monster, who would even want him anyway?
You wanna say I'm the loneliest thing in the world, why?
Next to this thing
But what they won't say
We will need help with God
I was there to help you by your mom
What they won't say is I've saved for my children
Like it's no tomorrow
I did it all, even through my sorrow
What they won't sayIs I've already bought houses for both of my daughters
What a wonderful father
What they won't say
Is I've changed every life of every nigga around me
Even the niggas that used to clown me
Some days I'm Superman
But sometimes even my cape needs dry-cleaning
Every once in a while
Sometimes I make it through without a pastor
But sometimes even I can use some preaching too
I'm just a child
Some days I'm full with positive energy
Other days I'm tired and I need help
Just a smile
Most days I can lead us to victory
Bu some days I need you to lead me
I can hear my mother say from the other land
This too shall pass
I can hear my father say from the other land
This too shall pass
Hate me when I'm up, love me when I'm down
Appreciate the good and bad until I'm underground
Love when I'm torn, love me when I fall
Crucify me if you want but I won't stop loving you
Yall yall yall yall
Yall yall yall yall
Yall yall yall yall
Yall yall yall yall
What they wanna say
Is how I don't give a damn about anybody
Who the fuck you can? Yea right
They wanna say
I'm selfish, I wasn't there when you was helpless
Yea, whatever, whatever
They wanna say
That I'm trash, I'm broken glass
I'm all that
But what they they they they they won't
Is that he's fell and that he's always down
At the same motherfuckin time he said he was gonna be there
They wanna say
Is that I take love seriously
They won't say
Is that I care like you wouldn't believe
So if I hurt you I'm sorry
I didn't mean no harm
But I really gave it my all
Some days I'm Superman
But sometimes even my cape needs dry-cleaning
Every once in a while
Sometimes I make it through without a pastor
But sometimes even I can use some preaching too
I'm just a child
Some days I'm full with positive energy
Other days I'm tired and I need help
Just a smile
Most days I can lead us to victory
Bu some days I need you to lead me
I can hear my mother say from the other land
This too shall pass
I can hear my father say from the other land
This too shall pass
Hate me when I'm up, love me when I'm down
Appreciate the good and bad until I'm underground
Love when I'm torn, love me when I fall
Crucify me if you want but I won't stop loving you
Yall yall yall yall
Yall yall yall yall
Yall yall yall yall
Yall yall yall yall
Here to sing the realest thing I've ever wrote
When I started to sing I prayed to God let me joke
Here to sing the realest thing I've ever wrote
When I started to sing I hope God lets me joke
I'm only human
And you're only human
Terius Nash, conocido profesionalmente como The-Dream, es un cantautor, rapero y productor discográfico estadounidense. Nacido en Atlanta, Georgia, el 20 de septiembre de 1977, comenzó su carrera musical en la década de 1990 como compositor fantasma para artistas prominentes como Mariah Carey, Beyoncé y Britney Spears. En 2006, debutó como artista solista con el álbum "Love/Hate", que fue un gran éxito gracias a temas como "Falsetto" y "I Love You“. The-Dream es conocido por su estilo musical caracterizado por melodías envolventes, letras introspectivas y una voz distintiva. Ha colaborado con numerosos artistas de renombre internacional, entre ellos Rihanna, Kanye West y Jay-Z. Entre sus álbumes más importantes se encuentran "Love vs. Money" (2007), "The Love/Hate King" (2010) y "IV Play" (2013). Su trabajo ha influenciado la escena musical contemporánea, contribuyendo a definir el sonido R and B de los años 2000.
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