[woman's voice] Caution -- warning -- overload
[robot's voice] Zero Nine El Que ready for report
[woman's voice] System, overload
[*Black Elvis*] The year 2005
[woman's voice] Caution -- warning -- overload
[*Black Elvis*] Are you ready on the right?
[woman's voice] System, overload
[*Black Elvis*] Ready on the left?
[woman's voice] Caution -- warning -- overload
[robot's voice] Metric bypass computes on overload retrace cause we're
[second female] Lost in space {* echoes *}
[woman's voice] System, overload
[robot's voice] Metric bypass computes on overload retrace cause we're
[woman's voice] Caution -- warning -- overload
[second female] Lost in space {* echoes *}
[woman's voice] System, overload
[robot's voice] Metric bypass computes on overload retrace cause we're
[woman's voice] Caution -- warning..
[second female] Lost in space {* echoes *}
[*Black Elvis*]
Blast full at ten, Keith still solo with no manager
Time clock out, studios, need to block out
Here's my number call me direct, get no feedback
No interviews, channel four, see me on the news
Erase your message walk streets with my cellular phone
Address you wonder, don't try to catch me home alone
Up seven o'clock, while you trying to find me on my block
I'm at the airport, you think I'm strange, boardin the plane
Turn off my pager, then quickly, relax my feet
Hotel Onion drinkin brew watchin Sesame Street
You thought you saw me with a wig on, at 7/11
Disguised like Shakespeare with blue chrome behind your ear
My George Washington robe, I still travel the globe
On Pan-Am airflights, I roll in cities after midnight
Stand in your lobby unsuspected, you get neglected
Traffic was hectic..
[robot's voice] Metric bypass computes on overload retrace cause we're
[woman's voice] Caution -- warning -- overload
[second female] Lost in space {* echoes *}
[woman's voice] Caution -- warning -- overload
[robot's voice] Metric bypass computes on overload retrace cause we're
[second female] Lost in space {* echoes *}
[woman's voice] Caution -- warning -- overload
[robot's voice] Metric bypass computes on overload retrace cause we're
[second female] Lost in space {* echoes *}
[woman's voice] Caution -- warning..
[*Black Elvis*]
Order room service, transfer quick to Holiday Inn
Check out time nine o'clock, coat on, I'm on again
You comin so wack you sound like the _Bulworth_ soundtrack
I'm in the mall steady shoppin while you tryin to call
It's on my answering machine, to speak to me as a dream
Pacific Bell know him, the phone is off, and I'm well known
1-800 number, castle code see to summer
Extreme complicated businessman, can't be reached
No type of headquarters, deserted land, by the waters
Target my focus on, internal thinkin by myself
You catch the treatments hiatus like Sam on the shelf
Move out your zip code with U-Haul, watch you fall
Obtain five boxes callin Mayflower, every hour
You scratch your brain askin neighbors what, now you wonder
{+growl sound+}
[woman's voice] One, two, three, four, five
[*Black Elvis*] Who could that be?
[robot's voice] Xena
[robot's voice] Metric bypass computes on overload retrace cause we're
[woman's voice] Caution -- warning -- overload
[second female] Lost in space {* echoes *}
[robot's voice] Metric bypass computes on overload retrace cause we're
[woman's voice] Caution -- warning -- overload
[second female] Lost in space {* echoes *}
[*Black Elvis*]
While you search lookin deep in your Rolodex, I flex, I tell the truth
When I'm serious you think I'm mysterious, drop rap in minutes
Become your problem like Dennis the Menace
Hold up your meetings papi, let's ? to the papparazzi
Unseen heard of your magazine got the nerve of a two-year old crayon writing
Talkin to y'all I'm decidin
Communication leads one step to aggravation
I got my ears closed, back to bookin my own shoes
Level seven eight nine - second dimension
[woman's voice] Stand by
[robot's voice] Metric bypass computes on overload retrace cause we're
[woman's voice] Caution -- warning -- overload
[second female] Lost in space {* echoes *}
[robot's voice] Metric bypass computes on overload retrace cause we're
[woman's voice] Caution -- warning -- overload
[second female] Lost in space {* echoes *}
[robot's voice] Metric bypass computes on overload retrace cause we're
[woman's voice] Caution -- warning -- overload
[second female] Lost in space {* echoes *}
[robot's voice] Metric bypass computes on overload retrace cause we're
[woman's voice] Caution -- warning -- overload
[second female] Lost in space {* echoes *}
[robot's voice] Metric bypass computes on overload retrace cause we're
[woman's voice] Caution -- warning -- overload
[*Black Elvis*] .. lost in space .. {+whispering+}
[woman's voice] System, overload
[woman's voice] All systems ready
[woman's voice] Enter voice authorization sample
[*Black Elvis*] .. lost in space .. {+whispering+}
[woman's voice] Enter security access code
[woman's voice] Systems accessed
[*Black Elvis*] .. lost in space .. {+whispering+}
[woman's voice] Access denied
[woman's voice] Activate
[*Black Elvis*] .. lost in space .. {+whispering+}
[*Black Elvis*] .. lost in space .. {+whispering+}
[*Black Elvis*] .. lost in space .. {+whispering+}
[*Black Elvis*] .. lost in space .. {+whispering+}
Kool Keith, cuyo nombre real es Keith Matthew Thornton, es un rapero y productor discográfico estadounidense nacido en Nueva York en 1964. Considerado uno de los pioneros del hip hop experimental, Kool Keith se distingue por su estilo de rap excéntrico, caracterizado por rimas complejas, flujo innovador y letras surrealistas que abarcan desde la ciencia ficción hasta el horror. Comenzó su carrera en la década de 1980 con el grupo Ultramagnetic MCs, contribuyendo a definir la estética del jazz rap. Después de dejar el grupo, inició una prolífica carrera como solista, lanzando álbumes como "Sex Style" (1996), "Dr. Octagon" (1996) y "Black Elvis/Lost in Space" (2003). Kool Keith es conocido por sus colaboraciones con artistas como DJ Premier, Dan the Automator y MF DOOM. Entre sus canciones más representativas se encuentran "The Bomb", "Space Is The Place" y "Dr. Octagon's Theme".
Desde los primeros días del cine, la música ha sido una parte esencial de la experiencia cinematográfica. La música en películas puede crear emociones, realzar escenas, y transportar a los espectadores a mundos imaginarios.
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Afinar una guitarra es importante para poder tocar correctamente y para que los acordes suenen bien.
La catalana amante de los ritmos andaluces por fin está a punto de volver. Dos años y medio después de su último disco "El mal querer" en 2018, con el que ganó los Grammy, Rosalía vuelve a la escena.