[ Billy Danzenie ]
How about some hardcore?
(Yeah, we like it raw!) (4x)
How about some hardcore?
[ VERSE 1: Billy Danzenie ]
(Yeah, we like it raw in the streets)
For the fellas on the corner posted up 20 deep
With your ifth on your hip, ready to flip
Whenever you empty your clip, dip, trip your sidekick
You got skill, you best manage to chill
And do yourself a favor, don't come nowhere near the Hill
With that bullshit, word, money grip, it'll cost ya
Make you reminisce of Frank Nitty 'The Enforcer'
I move with M.O.P.'s Last Generation
Straight up and down, act like you want a confrontation
I packs my gat, I gotta stay strapped
I bust mines, don't try to sneak up on me from behind
Don't sleep, I get deep when I creep
I see right now I got to show you it ain't nothin sweet
Go get your muthafuckin hammer
And act like you want drama
I send a message to your mama
'Hello, do you know your one son left?
I had license to kill and he had been marked for death
He's up the Hill in the back of the building with two in the dome
I left him stiffer than a tombstone'
[ Li'l Fame ]
How about some hardcore?
(Yeah, we like it raw!) (4x)
How about some hardcore?
[ VERSE 2: Billy Danzenie ]
(Yeah, we like it rugged in the ghetto)
I used to pack sling shots, but now I'm packin heavy metal
A rugged underground freestyler
Is Li'l Fame, muthafucka, slap, Li'l Mallet
When I let off, it's a burning desire
Niggas increase the peace cause when I release it be rapid fire
For the cause I drop niggas like drawers
Niggas'll hit the floors from the muthafuckin .44's
I'm talkin titles when it's showtime
Fuck around, I have niggas call the injury help line
I bust words in my verse that'll serve
Even on my first nerve I put herbs to curbs
I ain't about givin niggas a chance
And I still raise shit to make my brother wanna get up and dance
Front, I make it a thrill to kill
Bringin the ruckus, it's the neighborhood hoods for the Hill that's real
Me and mics, that's unlike niggas and dykes
So who wanna skate, cause I'm puttin niggas on ice
Whatever I drop must be rough, rugged and hard more
(Yeah!)
[ Billy Danzenie ]
How about some hardcore?
(Yeah, we like it raw!) (4x)
[ VERSE 3: Billy Danzenie ]
Yo, here I am (So what up?) Get it on, cocksucker
That nigga Bill seem to be a ill black brother
I gets dough from the way I flow
And before I go
You muthafuckas gonna know
That I ain't nothin to fuck with - duck quick
I squeeze when I'm stressed
Them teflons'll tear through your vest
I love a bloodbath (niggas know the half)
You can feel the wrath (Saratoga/St. Marks Ave.)
Be-I-l-l-why D-a-n-z-e
N-I-e, me, Billy Danzenie
(Knock, knock) Who's there? (Li'l Fame)
Li'l Fame who? (Li'l Fame, your nigga)
Boom! Ease up off the trigger
It's aight, me and shorty go to gunfights
Together we bring the ruckus, right?
We trump tight, aight?
I earned mine, so I'm entitled to a title
(7 fuckin 30) that means I'm homicidal
[ Li'l Fame ]
How about some hardcore?
(Yeah, we like it raw!) (4x)
[ VERSE 4: Li'l Fame ]
Yo, I scream on niggas like a rollercoaster
To them wack muthafuckas, go hang it up like a poster
Niggas get excited, but don't excite me
Don't invite me, I'm splittin niggas' heads where the white be
Try to trash this, this little bastard'll blast it
Only puttin niggas in comas and caskets
I ain't a phoney, I put the 'mack' in a -roni
I leave you lonely (Yeah, yeah, get on his ass, homie)
Up in your anus, I pack steel that's stainless
We came to claim this, and Li'l Fame'll make you famous
I mack hoes, rock shows and stack dough
Cause I'm in effect, knockin muthafuckas like five-o
I'm catchin other niggas peepin, shit, I ain't sleepin
I roll deep like a muthafuckin Puerto-Rican
So when I write my competition looks sadly
For broke-ass niggas I make it happen like Mariah Carey
I got shit for niggas that roll bold
Li'l Fame is like a orthopedic shoe, I got mad soul
I'ma kill em before I duck em
Because yo, mother made em, mother had em and muthafuck em
[ Li'l Fame ]
Knowmsayin?
Li'l Fame up in this muthafucka
Givin shoutouts to my man D/R Period
[Name]
Lazy Laz
My man Broke Ass Moe
The whole Saratoga Ave.
Youknowmsayin?
Representin for Brooklyn
Most of all my cousin Prince Leroy, Big Mal, rest in peace
[ Billy Danzenie ]
Danzenie up in this muthafucka
I'd like to say what's up to the whole M.O.P.
Brooklyn, period
Them niggas that just don't give a fuck
[ O.G. Bu-Bang
Bet yo ass, nigga
Hey yo, this muthafuckin Babyface [Name]
Aka O.G. Bu-Bang
Yo, I wanna say what's up to the whole muthafuckin M.O.P. boyyeee
Funkmaster Flex, cuyo nombre real es Aston Taylor, es un DJ y productor discográfico estadounidense nacido en la ciudad de Nueva York en 1968. Considerado uno de los pioneros del turntablism, ha contribuido significativamente al desarrollo del hip hop en la década de 1990. Comenzó su carrera como DJ en clubes de Harlem antes de alcanzar fama nacional gracias a su programa de radio "The Flex Show" en Hot 97. Su estilo energético e innovador, que incluía scratching, beat juggling y mezclas audaces, ha influenciado a generaciones de DJs y artistas de hip hop. Flex es conocido por sus entrevistas icónicas con raperos de renombre mundial como Jay-Z, Nas y Eminem, contribuyendo al lanzamiento de la carrera de muchos artistas emergentes. Además de su trabajo en radio, Flex ha producido varios álbumes y sencillos exitosos, colaborando con artistas como Lil Wayne, Snoop Dogg y 50 Cent. Entre sus temas más representativos se encuentran "The Flex Show Theme", "Hip Hop Is Back" y "Get It In."
Desde los primeros días del cine, la música ha sido una parte esencial de la experiencia cinematográfica. La música en películas puede crear emociones, realzar escenas, y transportar a los espectadores a mundos imaginarios.
El 22 de agosto es un día especial para los fanáticos de la música en todo el mundo, ya que marca el cumpleaños de una de las estrellas pop más brillantes y talentosas de nuestra época: Dua Lipa
El Caribe, esa región de belleza paradisíaca y diversidad cultural, es también la cuna de algunos de los géneros musicales más emocionantes y entrañables del mundo.
En un movimiento que sacudió la industria musical, Universal Music Group ha anunciado recientemente la adquisición de Chabaka Music
La música es un lenguaje universal que trasciende barreras culturales y lingüísticas. Puede emocionarnos, inspirarnos y, lo que es más importante, ayudarnos a aprender un nuevo idioma de una manera divertida y efectiva.
Madrid ofrece una amplia gama de géneros musicales que deleitan a lugareños y visitantes por igual. Con una escena musical diversa y vibrante, Madrid es un destino imprescindible para los amantes de la música.
La Music Session 53 fue un evento musical que reunió a varios artistas reconocidos de la música latina en el año 2018. Entre ellos, destacaron Shakira y Gerard Piqué, quienes realizaron una presentación memorable que dejó al público emocionado y maravillado.
Afinar una guitarra es importante para poder tocar correctamente y para que los acordes suenen bien.
La catalana amante de los ritmos andaluces por fin está a punto de volver. Dos años y medio después de su último disco "El mal querer" en 2018, con el que ganó los Grammy, Rosalía vuelve a la escena.