I've never told (ay man, the language brother)
Motherfucker, this ain't back in the day
Statik what up?
LOX in this joint
This ain't back in the day
Yeah
Mother--, mother--
Motherfucker, this ain't back in the day
This ain't back in the day
Back, back in the day
But you don't hear me though
But you don't hear me though
But you don't hear me though
But you don't hear me though
Bumping that Statik with the automatic on my hip
Blue whip, Navy paper plane, no, I ain't a crip
We used to have the hallway fired up, smoking reefer
Yeah I went to school but KRS was the teacher (Boogie Down Productions)
And Abel had to hustle hard to get fresh for easter
Instead of celebrating Christ, I hit the noose twice
And fucked some lil' bitch on the steps
I do reps with these new rappers, it's cool though
The UFC, I'm still Judos
They high right now, I'm like kudos
But fuck that
Yo, I like that new money, shit done changed on the block
So I don't reminisce even though I love Pete Rock
I give you bars, no microwave rap
Take it down South, but it's gon' be my version of trap
Dondon, the god, money is long
I can't judge an artist off one song, but you don't hear me though
But you don't hear me though
But you don't hear me though
But you don't hear me though
But you don't hear me though
This ain't back in the days
If it was the niggas sound different and give you a pound different
I don't hate the trap but give me that boom bap
Yeah the 808 eating at the beats through the [?]
Told the owner Sal, veggies [?]
I used to freestyle for [?] for a bottle of [?]
No MTA cards, hop and it turns out
Catch the train on 'em
Get your ass whooped you brought the pain home
The days when you knocked on your man's door
Yelled at the window so he could come outside
Drink a 40 like weed and y'all go and knock the grams off
Had to have hands or your shit was getting ran, dawg
[?]
45 [?] that was 10, yo
Thank God for this rap shit, clearly though
Back in the days it was real, but you don't hear it though
But you don't hear me though
But you don't hear me though
But you don't hear me though
But you don't hear me though
Niggas 'cross town tryin' to bomb me, I had the certified on me
'Fore I knew it was foul, the [?]
Caught you doing some bullshit, they tell your mami
When loser draw, gotta go out if a nigga try me
When Jinny hooked up with Lionel, I had the Sugarhill vinyl
Before crack hit, it was just winos
Ride to [?] with no shooting
When nigga's pops was hooping, heavy prostitution
Pirate radio was viciously on deck
Staying up late night with the tissue and the cassette
Hip hop is everything I got
Around this time, I was hooked on the King of Rock
I just wanna rap, I'ma go give this thing a shot
Looking back, I done never thought that this thing'll pop
Nah, right now I'm proud to be a part of the family
And you standing there just looking at me
But you don't hear me though
But you don't hear me though
But you don't hear me though
But you don't hear me though
But you don't hear me though
Motherfucker, this ain't back in the day
This ain't back in the day
Mother--, mother--
Motherfucker, this ain't back in the day
This ain't back in the day
Back, back in the day
But you don't hear me though
But you don't hear me though
El texto musical BUT YOU DON'T HEAR ME THO de STATIK SELEKTAH también está presente en el álbum 8 (2017)
Statik Selektah, pseudonimo di Patrick Baril, è un DJ, produttore discografico e conduttore radiofonico statunitense nato a New York nel 1980. Considerato uno dei pilastri della scena hip hop underground americana, Statik Selektah si distingue per il suo stile produttivo caratterizzato da campionamenti vintage e beat old-school con influenze jazz e funk. La sua carriera musicale è iniziata negli anni '90 come DJ in locali di New York, collaborando con artisti emergenti del panorama hip hop. Nel 2003 ha pubblicato il suo primo album, "The Green Tape", che gli ha conferito una reputazione di produttore talentuoso e creativo. Da allora, Statik Selektah ha lavorato con alcuni dei nomi più importanti dell'hip hop, tra cui Action Bronson, Joey Bada$$, Sean Price e Freddie Gibbs. Tra i suoi album più noti figurano "The Best of Both Worlds" (2013) e "What Goes Around" (2017). Statik Selektah è noto anche per la sua radio show "The Statik Selektah Show", in onda su SiriusXM, dove presenta musica hip hop e intervista artisti emergenti. I suoi brani più rappresentativi includono "Brooklyn Nights", "What Goes Around" e "Keep It Moving".
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