I love women but I'm thinking of giving in
I love women but what's the point of arguing
With the men from boarding schools and building sites
Who've told me I'm a homosexual all my life
One stop past Embankment and the coughs begin
Hell hath no fury like an insecure Englishman
You don't need psychoanalysts to translate this
'There is an open homosexual in our midst'
'The Homosexual' they call me
It's all the same to me
That spectre they projected I will now pretend to be
Since their neurosis is what passes for normality
It's okay with me if I'm queer
Since their tone-deafness is called the love of music
I won't disabuse them
I'll make love with their women
I'll make them sing notes of pleasure
Their husbands will never hear
I love women but I take them by surprise
Pretending absolute indifference to their breasts and thighs
Like their hairdressers and dressmakers I hear confessionals
Reserved for homosexual professionals
As I put their feet in stirrups with my limp wrist
(A trick I learned from a homosexual gynaecologist)
I recall the words my first girlfriend ended our first date with
"I feel privileged you chose me to go straight with"
'The Homosexual' they call me
It's all the same to me
That spectre they projected I will now pretend to be
Since their neurosis is what passes for normality
It's okay with me if I'm queer
Since their tone-deafness is called the love of music
I won't disabuse them
I'll make love with their women
I'll make them sing notes of pleasure
Their husbands will never hear
You who called me shirt-lifter in Chemistry class
You who sniggered "look out for your arse"
Now your women wash your shirts, now your kids are born, baby, look out for your horns
You who called me teapot, who plagued me with your bile
Guess who I've got coming to the boil
Why not grab the nettle I'll settle for being the kettle if you're the pot
I take my tea like my revenge: sweet and hot
'The Homosexual' they call me
It's all the same to me
That spectre they projected I will now pretend to be
Since their neurosis is what passes for normality
It's okay with me if I'm queer
Since their tone-deafness is called the love of music
I won't disabuse them
I'll make love with their women
I'll make them sing notes of pleasure
Their husbands will never hear
'The Homosexual' you call me
It's all the same to me
That spectre you projected I will now pretend to be
Since your neurosis is what passes for normality
It's okay with me if I'm queer
Since your tone-deafness is called the love of music
I won't disabuse you
I'll make love with your women
I'll make them sing notes of pleasure
That you will never hear
Never in a million years
No fucking fear
Momus, pseudonimo di Nicholas Currie, noto anche come Nick, è un cantautore, compositore, scrittore, blogger e giornalista scozzese. Attivo dal 1980, Momus ha esplorato una vasta gamma di generi musicali, dall'avant-pop al rock sperimentale, passando per l'elettronica e il folk. Conosciuto per le sue testi ironiche e provocatorie, spesso incentrate su temi sociali e politici, Momus si è affermato come un artista indipendente con una forte personalità artistica. Tra i suoi brani più rappresentativi figurano "The Ballad of the Broken Heart", "I'm a Man", "Love Is a Battlefield" e "The World is Mine". Momus ha pubblicato numerosi album, tra cui "Tender Prey" (1986), "The Last Days of Disco" (1990) e "The Book of Momus" (2003). Oltre alla musica, Momus si è cimentato anche nella scrittura di romanzi, saggi e articoli per riviste musicali. È un artista poliedrico che ha lasciato un segno significativo nell'underground musicale scozzese e internazionale.
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