Wont that be one mighty day, when we hear world leader say
We dont have to cry no more, were giving it up, were gonna let it go
Aint gonna study, study war no more, aint gonna think, think of war no more
Aint gonna fight, fight the war no more, were giving it up, were gonna let it go
Were giving it up, were gonna let it go
We will take gun powder to have fun, then get rid of the atom bomb
Something else that we can do, get rid of all those rockets, too
Aint gonna study, study war no more, aint gonna think, think of war no more
Aint gonna fight, fight the war no more, were giving it up, were gonna let it go
Were giving it up, were gonna let it go
The money spent on bombs alone can build poor people a happy home
And some good we can do, you treat me like I treat you
No more starving in the nation, everybody getting an education
Ev'rytime a baby is born, we know hell have him a happy home
Aint gonna study, study war no more, aint gonna think, think of war no more
Aint gonna fight, fight the war no more, were giving it up, were gonna let it go
Were giving it up, were gonna let it go
No more sleeping in the street, were all happy, whoever we meet
Then we all will shake a hand, and make this world a promised land
Aint gonna study, study war no more, aint gonna think, think of war no more
Aint gonna fight, fight the war no more, were giving it up, were gonna let it go
Were giving it up, were gonna let it go, were giving it up, were gonna let it go
Willie Dixon (1915-1992) è stato un contrabbassista, cantautore, arrangiatore e produttore discografico statunitense, considerato una figura fondamentale nella storia del blues. Nato a Vicksburg, Mississippi, Dixon si trasferì a Chicago negli anni '40, dove iniziò a collaborare con la Chess Records, diventando uno dei suoi pilastri. Dixon ha composto centinaia di canzoni che sono diventate standard del blues, tra cui "Hoochie Coochie Man", "Spoonful", "Back Door Man" e "I Just Want to Make Love to You". Le sue melodie spesso caratterizzate da un ritmo incalzante e testi diretti hanno influenzato generazioni di musicisti. Oltre a comporre, Dixon ha suonato il contrabbasso in numerose registrazioni per la Chess Records, collaborando con artisti come Muddy Waters, Howlin' Wolf, Little Walter e Bo Diddley. La sua influenza sul blues è stata immensa, contribuendo a definire lo stile del Chicago Blues e ad influenzare generi musicali successivi come il rock and roll e il rhythm and blues.
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